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Paper Mario: The Thousand-Year Door review | Game-Scanner
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4.5

Paper Mario: The Thousand-Year Door

May 18, 2024 2:00 AM

Pro
  • Engaging storyline with rich, memorable characters
  • Unique and colorful art style that stands out
  • Innovative combat system combining RPG elements with real-time action

Con
  • Some puzzles can be overly challenging and obscure
  • Backtracking can become tedious
  • Inventory management is somewhat clunky

Review

Paper Mario: The Thousand-Year Door is a masterclass in RPG design, offering players an enchanting journey through a vividly crafted paper world. The game excels in storytelling, featuring a diverse cast of characters each with their own charm and depth. The unique art style sets it apart from other games in the genre, providing a visually stimulating experience that is both nostalgic and refreshing. More than just eye candy, the game's combat system takes traditional turn-based RPG mechanics and injects them with a dose of real-time action, making for an engaging and dynamic gameplay loop. However, it is not without its faults. Some puzzles border on the overly complex, creating moments of frustration rather than fun. Additionally, the need for frequent backtracking can slow down the paced action and exploration, and the inventory management system, while functional, often feels cumbersome. Overall, Paper Mario: The Thousand-Year Door offers a delightful adventure that mostly outshines its minor flaws.

Background information

Critic reviews are not available for this game yet. Similarly, user reviews have yet to be posted on Metacritic. As such, this review is formed without the influence of aggregated critic or user scores, relying purely on personal experience and observation.

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Written by:

Samira Khan

Samira Khan is a narrative enthusiast with a keen eye for storytelling in games. Her literary approach to game criticism examines themes, character development, and plot structure, earning her a following among gamers who appreciate the art of narrating.

Read more articles from: Samira Khan

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